19th and early 20th Century American Impressionist Works of Art.

Charles Basing (Australian/American 1865-1933) - The Green Wagon in Winter, Ca. 1915. Oil on canvas, 20 x 24 inches. Signed lower right: C. Basing. Excellent condition, Newcomb Macklin moulding.

Dwight William Blaney (American 1865-1944) - Winter, Eastham, Massachusetts, 1907. Oil on canvas, 22 x 26 inches. Signed lower right: Dwight Blaney, 07. Excellent condition, framed. Painted for Dr. Fordyce Coburn of Lowell, Mass. who Blaney and Frank Weston Benson hunted with in Eastham, where Coburn had property. Titled "Eastham, Winter" on the stretcher and inscribed: For Dr. Fordyce Coburn, Lowell, Mass., in Blaney's hand, in pencil.

Carroll Butler Brown (American 1868-1923) - View of Ellenville from Cragsmoor, NY, Circa 1910-15. Oil on canvas, 18 x 25 inches. Signed lower center: Carroll Brown. Original condition, original moulding. Carroll Butler Brown's work is quite rare.

William Alden Brown (American, born 1877) - Wintry Solitude, Woodstock, New York, 1913. Oil on canvas, 12 x 18 inches. Signed and dated lower left: W. Alden Brown, 1913. Signed, titled and dated verso. Excellent condition, framed.

Eliot Clark (American 1883-1980) - From the Dunes, Provincetown. Oil on board, 6 1/8 x 3 inches. Signed lower left: E.C. (in monogram). Excellent condition, framed. Original Salmagundi Club Thumb box label, verso. A rare, early work by the artist and one of a pair.

Eliot Clark (1883-1890) - House Tops, Provincetown, Mass. Oil on artist's board, 6 1/8 x 3 inches. Signed lower right: E.C. (in monogram). Original Salmagundi Club Thumb box label, verso. Excellent, early example and one of a pair currently offered for sale.

Charlotte Buell Coman (American 1833-1924) - Behind my Studio, Ca. 1900-10. Oil on canvas, unlined, 12 x 10 inches. Signed lower left: C.B. Coman. Excellent condition, period frame.

Theodore Saint-Amant Cunningham (American 1899-1976) Iris, circa 1920. Oil on artists board, 10 x 8 inches. Signed lower right: T. S. A. Cunningham. Excellent condition. Framed.

Charles Harold Davis (American 1856-1933) - Afternoon Shadows, Mystic, Connecticut, Ca. 1910. Oil on canvas, 20 x 27 inches. Signed lower left: C.H. Davis. Excellent condition, hand carved molding.

Charles Warren Eaton (American 1857-1937) - A Canal in Bruges, Ca. 1900-10. Oil on canvas, unlined. 16 x 18 inches. Signed lower left: Chas. Warren Eaton. Excellent condition, framed.

Benjamin Eggleston (American 1867-1937) - Springtime, Circa 1896. Oil on canvas, mtd. on panel, 16 x 22 inches. Signed lower left: Benjamin Eggleston. Excellent condition, framed in the original liner.

George Pearse Ennis (American 1884-1936) - Seminole Indian Maiden, Florida, 1932. Oil on canvas, 25 x 30 inches. Signed lower right: Ennis. Titled: A Seminole Maiden, 1932, on the stretcher in the artist's hand. Cronyn Gallieries Exhibition label, verso with a price of $400.00 when it was exhibited in 1932. Excellent condition, period moulding.

James Jeffrey Grant (American 1883-1960) - New England Town with Vegetable Vendor, Ca. 1920-30's. Oil on canvas, mtd. on board, 14 x 16 inches. Signed lower right: J. Jeffrey Grant. Pristine original condition, Original frame.

CHARLES EDWIN LEWIS GREEN (1844-1915) Boston Common, Looking Toward Beacon Street, n.d. Oil on canvas 14 x 18 inches Signed at lower right: C. E. L. Green Titled on the stretcher bar verso: Boston Common looking toward Beacon Street A native of Lynn, Massachusetts, Charles (C.E.L.) Green became an artist committed to painting American subject matter, especially the marine and landscape scenes of his native area. He often signed his paintings C.E.L. and was part of the seven “Lynn Beach Painters” that included his close friend, Charles Woodbury. He began working in the local shoe and leather industry and used the money to take art classes. He and several others had adjoining studios in Lee Hall in the City Square of Lynn. From the 1880s through 1910, he was a regular exhibitor at the Boston Art Club and also took lessons there. He was a plein-air painter, he completing his landscape and marine scenes outdoors with minimal over painting of colors. In 1885, he moved to Boston where he and Charles Woodbury had adjoining studios on Green Street and committed themselves to making their living exclusively with their painting. They succeeded, and for several years, they were linked together as being non-European trained, stay-at-home artists with very similar impressionist styles and American subject matter. They prided themselves on avoiding European influence, but in the 1890s, their styles became increasingly impressionist from seeing European works in Boston exhibitions. Green had his first one-man show in 1886 at the J Eastman Chase Gallery, one of Boston’s most prestigious exhibition venues at that time. In 1906, Green moved from Boston to his hometown of Lynn where in 1909, he became one of the founders of the Lynn Art Club. He died on January 18, 1915, having been a major influence on succeeding generations of painters inspired to paint local marine scenes of the Boston area.

Roswell Stone Hill (American 1867-1907) - Provincetown Houses, from the Hill, 1901. Oil on canvas, 18 x 22 inches. Signed and dated lower right: Roswell S. Hill, 1901. Excellent condition, period moulding.

Harry Leslie Hoffman (American 1871-1964) - The Salt Kettle, Ca. 1919. OIl on board, 30 x 32 inches. Signed lower center: H. Hoffman. Pristine original condition. Original moulding.

Lester George Hornby (American 1882-1956) - Fishing Village, Trinidad, 1917. Oil on paper. 12 x 16 inches (sight size). Signed lower right: L.G.H. Excellent original condition.

Alicia Mulliken Keyes (American 1855-1924) - View from Park Street, across the Common and public Garden, Boston, probably painting 1890’s-1910. Oil on canvas mounted on board, 10.50 x 9 inches. Unsigned. Inscription verso reads: Given by Mrs. Emerson, sister of (Miss) Alycia Puket(?) (Keyes) who painted this picture from Park St. across the Common and Public Garden./ I love it. E. G. N./For Frances. Alicia M. Keyes was an artist, teacher and lecturer born in Concord, Mass. on June 13, 1855. Her sister Annie was married to Edward Waldo Emerson, son of Ralph Waldo Emerson. The family lived at Bullet Hole House on Monument Street in Concord shortly after the Civil War. Alicia studied art in Concord with Mary Wheeler and later, with Mary Alcott. Among her many notable friends were John Singer Sargent and Isabella Stewart Gardner. In 1884, the artist travelled to Europe where the influence of French Impressionism can clearly be seen in the work above. Her work is particularly rare.

Dorothy Pulis Lathrop (American 1891-1981) - Portrait of Mary Elizabeth Gunn Gilman, 1916. Oil on board, 8.75 x 7 inches. Unsigned. Excellent condition, unframed. Descended in the family to John E. Gilman, IV, Albany, New York.

Wayne Morrell (American 1923-2013) - The Rockport,. Oil on board, 8 x 10 inches. Signed lower left: Wayne Morrell. Pristine condition, framed. Provenance: Acquired directly from the artist. Artist's bio with two small drawings by Morrell on the verso.

Edith Penman (American 1860-1929) - Doorway in New Castle, N.H., Ca. 1910. Oil on canvas, 7 x 5 inches. Signed lower left: E. Penman. Original condition, Framed under glass. Buffalo Society of Artist/Albright Gallery label verso.

Jane Peterson (American 1876-1965) - Gloucester Harbor, Circa 1915. Oil on canvas, mtd. on board, 17.50 x 17.50 inches. Signed lower right: Jane Peterson. Excellent condition, framed.

Milne Ramsey (American 1847-1915) - Seacliff. Oil on wood panel, 5.25 x 13.25 inches. Unsigned. Mint condition, framed. Provenance: The Estate of the Artist; Chapellier Galleries, Inc., New York.

William S. Robinson (American 1861-1945) - Gloucester Harbor, 1934. Oil on board, 12 x 16 inches. Signed lower right: Wm. S. Robinson. Inscribed verso. Excellent condition, framed.

Harry Herman Roseland (American 1868-1950) - Old Mammy's Prediction, 1906. Oil on canvas, relined. 20 x 30 inches. Signed lower left: Harry Roseland/Copyright 1906. Excellent condition, framed. An outstanding example of Roseland's genre paintings, having descended in a private Upstate New York collection.

Harry Herman Roseland (American 1868-1950) - Old Mammy's Prediction, Ca. 1908. Oil on canvas, 20 x 30 inches. Signed lower left: Harry Roseland, and indistinctly dated. Excellent condition, original moulding. Descended in a private family collection.

Elmer Boyd Smith (Ameircan 1860-1943) - Haystacks, France, Ca. 1900. Oil on canvas, mtd. on masonite panel, 12 x 18 inches. Signed lower right: E. Boyd Smith. Fine condition, framed.

Walter Granville Smith (American 1870-1938) - Young Girl on the Beach, Bellport, New York, Ca. 1920's. Oil on canvas, 13.50 x 25 inches. Signed lower left: W. Granville Smith. Excellent condition, framed.

Henry Joseph Thouron (American 1851-1915) - Patching, Modern Romans, 1880. Oil on wood panel. 6.50 x 3 inches. Signed. Titled and signed verso. Pristine condition, original moulding

Henry Joseph Thouron (American 1851-1915)- Soup Making, Modern Romans, 1880. Oil on panel. 6.50 x 3 inches. Signed. Titled and signed verso. Excellent condition, original moulding.

Henry Joseph Thouron (American 1851-1915) - Up Hill, Study of Roman Street Vender (sic), 1889. Oil on canvas, unlined. 8.50 x 6.25 inches. Signed and inscribed verso, "Up Hill" Study of Roman Street Vender/H. Thouron, Rome, 1889. First sold for the benefit of the Philad. Society of Artists. Price: $30.00.

Charles Volkmar (American 1841-1914) - Rainbow Trout, (Probably Edison), New Jersey. Oil on heavy paper, 12 x 18 inches (image size). Signed lower right: Chas. Volkmar. Pristine condition.

James Perry Wilson (American 1889-1976) - Field of Wildflowers, Painted at Towaco, New Jersey, September 4, 1921. Oil on mahogany panel, 8 x 10 inches. Unsigned. Notations in Perry's hand verso. Provenance available. Excellent condition, framed.

Attr. to Irving Ramsey Wiles (American 1861-1948) - Woman in a Kimono Sewing in a Landscape, Circa 1880's. Oil on wood panel, 6 x 3.75 inches. Unsigned. Excellent condition, framed.

George Albert Thompson (American 1868-1938) - October Afternoon, Mystic, Connecticut. OIl on canvas, 16 x 20 inches. Signed lower left: G.A. Thompson. Titled on the verso, and inscribed: G.A. Thompson/Mystic, Conn. Excellent condition, framed.

Carl Wuermer (American 1900-1981) - The Edge of the Forest (Behind my studio, Woodstock, New York), n.d. Oil on canvas, 33.25 x 36.25 inches. Signed lower left: Carl Wuermer. Inscribed, verso in the artist's hand: No. 63/At the Edge of the Forest/By Carl Wuermer. Excellent condition, Period Italian Cassetta frame. An early, major work by the artist.

Cullen Yates (American 1866-1945) - Early French Garden and House, Circa 1890's. Oil on canvas board, 7 7/8 x 5 3/8 inches. Signed lower right: Cullen Yates. Excellent condition, framed.

Carle J. Blenner (American 1864-1952) - A Souvenir of Barbizon. Oil on canvas, 6 x 12 inches. Signed lower right and inscribed with title. Excellent condition, original frame.

Frederick Hatfield Clark (American 1861-1945) - Winter Dawn at Vineyard Haven, Martha's Vineyard, Looking towards Lagoon Heights from South Williams Street, 1918. Oil on canvas, unlined. 6 x 12 inches. Signed lower right. Signed, dated and titled in the artist's hand in pencil on the stretcher. Original condition, framed.

Rudolph Scheffler (American 1884-1973) - Delphiniums in Summer, (The Artist's Garden at Valley Cottage, New York), July 1946. Oil on canvas, unlined. 29 x 25.25 inches. Signed and inscribed lower left: Scheffler, V.C.N.Y. July, 46. Original condition, framed.

William Lester Stevens (American 1888-1969) - The Artist's Garden. Oil on canvas, untouched condition, 25 x 30 inches. Signed lower left: W.L. Stevens. Excellent original condition, framed.

Charles Reiffel (American 1826-1942) - Alleyway in Tangiers, Ca. 1890's. Oil on canvas, mtd. on board, 10 x 7 inches. Signed lower left: Charles Reiffel. Excellent condition, framed in the original moulding. One of only a few known works from the artist's early trip to Tangiers and Morocco.