William Henry Bartlett (English 1809-1854) - The Amphitheatre, Verona, Italy. Circa 1835-38. Sepia watercolor on paper, 4 7/8 x 7 5/16 inches. Excellent condition, framed. Rare, original William Henry Bartlett watercolor which was the preliminary, drawn from nature work that was later engaved on steel. Provenance: Robert R. Porter, Classical scholar and former professor at Princeton and Yale, as well as an Oxford Rhodes scholar.

Edward B. Bensell (American, 19th century) - When the Bee Sucks, July 29, 1864. Pen and Ink on paper, 6 inches (diameter, circular format). Signed and dated lower left: EBB - July 29, 1864. Excellent condition, matted and framed.

Dwight William Blaney (American 1865-1944) -Near Caen, France, Sept. 3rd, 91. Pencil on paper, 5.75 x 8 inches. Signed lower right: Dwight Blaney-/ To Geo. R.A. Inscribed lower left: near Caen. Sept. 3rd. 91. Doll & Richards label, verso.

James Renwick Brevoort (American 1832-1918) - Boating on a Lake in Autumn, Circa 1870. Watercolor and gouache on paper, 11 x 15 inches. Signed lower right: JRB. Excellent condition, framed.

Frederick Stuart Church (American 1842-1924) -The Gossips, 1874. Watercolor on paper, 7.50 x 10 inches. Signed, dated and inscribed at lower left: F.S. Church, N.Y., 1874. Excellent condition, framed in a silver leaf moulding.

Julius Delbos (American 1879-1970) - Landscape with Stream, n.d. Watercolor on paper, 12 x 10 inches. Signed lower right: Julius Delbos. Original untouched condition, original moulding. Descended in a private collection, Troy, New York.

Charles Harry Eaton, A.N.A., A.W.C.S. (American 1850-1901) - The Red Oak in Autumn, Circa 1890's. Watercolor on paper, mtd. on canvas, 18 x 24 inches. Signed lower left: C. Harry Eaton, A.N.A., A.W.C.S. Excellent original condition, unframed.

Harry Fenn (American 1837-1911) - Aquatic Gardening, As it was in the Beginning, 1895. Pen, ink and wash with gouache highlights, 7 x 12 inches. Signed lower left: H. Fenn, 95. Pristine original condition. Original Century Co. label verso with title in the artist's hand. Various other stamps, numbers and notations verso.

Gordon Hope Grant (American 1875-1962) - The Swordfisherman, Circa 1920's. Watercolor on paper, 14 x 20 inches. Signed lower right: Gordon Grant. Excellent condition, framed. Early Grand Central Art Galleries, New York label verso from their first address on Vanderbilt Avenue. A rare, early masterfully executed watercolor by Gordon Grant painted in the Atlantic off the Massachusetts, circa 1920's. At age 13, he was sent to school in Scotland, leaving San Fancisco on the four-month sail around Cape Horn, which remained a permanent influence on his career. He studied art at the Heatherly Art school and then at the Lambeth School of Art in London. In 1895, he became a staff artist for the San Francisco Examiner. The next year, he took the same type of job for the New York World and covered the Boer War for Harper's Weekly. He also worked for Puck magazine for eight years and did illustration for children's and adult books. In addition to painting in both oils and watercolor, Grant was a master lithographer and etcher. The present work has been in storage since 1989.

Charles Emil Heil (American 1870-1950) - Blue Jay, n.d. Watercolor on paper, 8.50 x 11.50 inches. Signed upper right: Charles E. Heil. Excellent condition, unframed. A crisp, beautifully executed watercolor by the artist.

John Henry Hill (American 1839-1922) - Nature Morte: Eastern Bluebird (Sialia Sialis), 1866. Watercolor on paper, 4 1/8 x 9 1/8 inches. Signed lower right: J.H. Hill. Excellent condition.

John Henry Hill (American 1839-1922) - A River Landscape, circa 1859. Pen and ink on paper, 3 x 4 inches (sight size). Signed lower right: J.H. Hill. Excellent condition, unframed.

Lester Hornby (American 1882-1956) -Lanesville, Winter, 1937. Pencil on buff colored paper. 10.50 x 13.25 inches. Signed, dated and inscribed lower right: L.G. Hornby, '37, Lanesville. Excellent original condition, unframed.

Lester G. Hornby (American 1882-1956) - Tropical Cove, Oil on paper, 9.75 x 13 inches. Signed lower right: L.G.H. Original estate condition, unframed. A nice, early example by the artist with rich impasto and nice light.

Felicie Waldo Howell (American 1897 - 1968) - Main Street, Nantucket, 1930. Watercolor and gouache on paper, 12 x 16 inches. Signed lower left Felicie Waldo Howell, and dated 1930. Inscribed: Nantucket. Pristine condition, framed.

Donald Morris Kirkpatrick (American 1887-1966) - Figures on the Beach, Barbados. Watercolor on paper, mtd. on board, 13 x 17.50 inches (image size). Signed lower right: D.M. Kirkpatrick. Excellent original condition, titled on the verso in the artist's hand. Provenance: Descended in the family of the artist. One of many works by the artist in stock, including, oils, watercolors, drawings and etchings.

Alexander Lawrie (American 1828-1917) - Watering Ivy, (Home Sketch), Circa 1864. Watercolor on paper, 7.75 x 5.75 inches. Signed lower left: A. Lawrie Del. Excellent condition.

Jervis McEntee (American 1828-1891) - Lake George, Sept., 1863. Pencil on paper, 7.50 x 9 5/8 inches. Inscribed lower left: Lake George/Sept. - 63. Excellent condition, framed. On August 28th, 1863, Sanford Robinson Gifford wrote from Saratoga Springs, N.Y. to Jervis McEntee at his home in Rondout inviting him to go on a sketching expedition, along with Richard William Hubbard and Worthington Whittredge. In September, 1863 the group traveled to Lake George, Lake Champlain, Lake Placid and Mount Whiteface. This rare drawing of Lake George by McEntee might be the only known pencil drawing by McEntee from the trip to Lake George.

William Rickarby Miller (American 1818-1893) - Boating Party, Black Mountain, Lake George. Watercolor on paper, 7 x 10 inches. Signed and dated lower left: W.R. Miller, . Excellent condition, framed.

William Rickarby Miller (American 1818-1893) - A Little Winter Scene, January 8, 1885 (From 1000 gems - Vignettes). Ink and watercolor on grey paper, mtd. on board. 8 x 6 inches (image size). Signed lower left and inscribed across the bottom. Inscribed across the top. Excellent condition, unframed.

William Rickarby Miller (American 1817-1884) - one the Erie Canal, Little Falls, N.Y., July, 10, 1852. Watercolor, pencil and gouache on paper, 14 x 20 inches. Signed lower left: W.R. Miller, del./ July ,1852. Inscribed lower right: On the Erie Canal, Little Falls, N.Y. Good condition, framed.

Christian Schussele (American 1824-1879)- Tales of the Sea, 1857. Watercolor on paper, 14 x 20 inches. Signed and dated lower right: C. Schussele, 1857. Excellent condition. Unframed.

Charles Volkmar (American 1841-1914) - Rainbow Trout, (Probably Edison), New Jersey. Oil on heavy paper, 12 x 18 inches (image size). Signed lower right: Chas. Volkmar. Pristine condition. Charles Volkmar was a painter and an etcher as well as an important craftsman whose family's involvement in the development of the ceramics industry in northeastern America played an important role in the Aesthetic movement. Charles, born in Baltimore worked most of his adult life in New Jersey. His brothers Carl and Leon, as well as his father Charles Volkmar, Sr., were all involved in artistic pursuits, and it was obviously that young Charles would follow in the same tradition. Charles would travel to Europe at the beginning of the Civil War, joining countless other young American artists in Paris, studying landscape painting under Henri Harpignies, as well as the work of Jean-Francois Millet and Charles Emile Jacque. His work included landscape painting as well as painting pottery and tiles in France, after which he returned to the United States and went into the ceramics business. Volkmar Pottery and the tiles and ceramics they produced. It is believed Charles may have also been involved in the stained-glass industry for a period as well. Rainbow Trout, Edison, New Jersey is a masterpiece by Volkmar painted in the Aesthetic tradition. The influence of Japanese painting is clearly evident in both subject and composition. A group of four rainbow trout have come to the surface of the transparent water as the fish on the far right appears to have found an insect which has captured the attention of the other three. Volkmar had often painted ducks by a lake in Edison, but this work depicting fish is quite possibly unique.

Amelia Montague Watson (American 1856-1934) -In the Smoky Mountains, Tryon, North Carolina. Watercolor on paper, 6 x 10.50 inches. Signed lower right: Amelia M. Watson. Original condition.

Harrison W. Weir (British 1824-1906) - Pencil on paper, heightened with white. 14 x 10 inches. Signed and dated lower left: Harrison Weir, Jan. 1862. Original condition, unframed. Harrison Weir was known as "The Father of the Cat Fancy" and was an English gentleman and artist. Weir organized the first cat show in England, held at the Crystal Palace, London, in July, 1871. The present drawing served as the basis for a print published in 1865.

William H. Willcox (Am./Phila. 1831-1929) - An Artist Walking Beside a Stream in Autumn, 1895. Watercolor on paper, 20 x 16.50 inches. Signed and dated lower left: W.H. Willcox, 1895. Excellent original condition, framed. Provenance: Descended in a private collection, Upstate New York.