Original, authentic watercolors and drawings of the 19th and 20th centuries.

Edward B. Bensell (American, 1842-1894) - When the Bee Sucks, July 29, 1864. Pen and Ink on paper, 6 inches (diameter, circular format). Signed and dated lower left: EBB - July 29, 1864. Excellent condition, matted and framed.

Sandor Bernath (Hungarian/American 1892--1984) - Yachting in Blue Waters, Ca. 1930's. Watercolor on paper, 16 x 20 inches. Signed lower left: Sandor Bernath. Pristine condition, period gold leaf and birds eye maple frame.

Dwight William Blaney (American 1865-1944) - Near Caen, France, Sept. 3rd, 91. Pencil on paper, 5.75 x 8 inches. Signed lower right: Dwight Blaney-/ To Geo. R.A. * Inscribed lower left: near Caen. Sept. 3rd. 91. Doll & Richards label, verso. *Geo R.A. likely refers to the British artist George Richmond, R.A.

James Renwick Brevoort (American 1832-1918) - Boating on a Lake in Autumn, Circa 1870. Watercolor and gouache on paper, 11 x 15 inches. Signed lower right: JRB. Excellent condition, framed.

Hezekiah Anthony Dyer (American 1872-1943) - G. Stewart's Garden, Ca. 1900. Watercolor and gouache on paper, mtd. on board, 14 x 10 inches. Signed lower right: H.A. Dyer. Original condition, original frame.

Charles Harry Eaton, A.N.A., A.W.C.S. (American 1850-1901) - The Red Oak in Fall, Circa 1890's. Watercolor on paper, mtd. on canvas, 18 x 24 inches. Signed lower left: C. Harry Eaton, A.N.A., A.W.C.S. Excellent original condition, unframed.

Harvey Emrich (American 1884-1972) - Day's End, Circa 1920's. Charcoal on paper, 20 x 17 inches. Signed upper right: Harvey Emrich. Excellent condition, framed. Provenance: Descended in the family of the artist.

English School, 18th/early 19th Century - Rhuddlan Castle, Hintshire, N. Wales, Ca. 1780-1820's. Watercolor on cotton woven paper, unmounted. 8 x 10.50 inches. Unsigned. Titled in ink verso, likely in the artist's hand. A couple of small spots of foxing in the sky, time-toning at the perimeter, otherwise fine condition. Framed. Price: $375.00

Sarah Fairchild (American, 19th century) - Daims (Deer), Cooperstown, New York 1840. Graphite on paperboard, 7.75 x 9 7/8 inches. Signed lower left: Sarah Fairchild, dell. Titled lower center, and inscribed Cooperstown, 1840 at lower right. Original condition, original frame.

Harry Fenn (American 1837-1911) - Aquatic Gardening, As it was in the Beginning, 1895. Pen, ink and wash with gouache highlights, 7 x 12 inches. Signed lower left: H. Fenn, 95. Pristine original condition. Original Century Co. label verso with title in the artist's hand. Various other stamps, numbers and notations verso.

The Weed Meadow, 1883 William Hamilton Gibson (American 1850-1896) Watercolor and gouache en grisaille on a buff colored paper 3.50 x 8.75 inches Signed lower left: WHG (monogram) in black watercolor Signed lower right: WHG (monogram) in pencil, and inscribed: Copyright 1883/Harper & Brothers in pencil Titled and signed beneath the image: The Weed Meadow/W. Hamilton Gibson, in pencil (see image below) Titled on the frame verso, once in pencil, once in ink: The Weed Meadow. Original condition, original matte and wood frame Sheet size 8 x 15 inches. The present sketch was reproduced in: Highways & Byways, 1883. Published by Harper & Brothers, Franklin Square, New York. 1883.

William Hamilton Gibson (American 1850-1896) - The Runnel Sketch, Washington, Connecticut, 1882. Watercolor on paper, 6 x 18 inches. Signed lower left: W. Hamilton Gibson, 1882. Excellent condition, Framed. The above work is likely the same watercolor exhibited at the Boston Art Club as The Runnel Sketch, Washington, Connecticut, #169, 1883. Sorry, I've been sold.

Howard Everett Giles (American 1876-1955) - Landscape with Gathering Clouds, ca. 1920. Watercolor on paper, 7 x 5 inches. Signed and inscribed lower left: To. John G. Agar/Camp H/H. Giles. Excellent original condition, unframed.

Gordon Hope Grant (American 1875-1962) - The Swordfisherman, Circa 1920's. Watercolor on paper, 14 x 20 inches. Signed lower right: Gordon Grant. Excellent condition, framed. Early Grand Central Art Galleries, New York label verso from their first address on Vanderbilt Avenue. A rare, early masterfully executed watercolor by Gordon Grant painted in the Atlantic off the Massachusetts, circa 1920's. At age 13, he was sent to school in Scotland, leaving San Fancisco on the four-month sail around Cape Horn, which remained a permanent influence on his career. He studied art at the Heatherly Art school and then at the Lambeth School of Art in London. In 1895, he became a staff artist for the San Francisco Examiner. The next year, he took the same type of job for the New York World and covered the Boer War for Harper's Weekly. He also worked for Puck magazine for eight years and did illustration for children's and adult books. In addition to painting in both oils and watercolor, Grant was a master lithographer and etcher. The present work has been in storage since 1989.

Gordon Grant (American 1875-1962) - Clipper Ship on the High Seas, Ca. 1930's. Watercolor on paper, 14 x 20 inches. Signed lower left: Gordon Grant. Original condition, original frame. One of three watercolors by Grant currently in stock.

Gordon Hope Grant (American 1875-1962) - Caribbean Fishermen, Trinidad, n.d. Watercolor on paper, 15 x 19.50 inches. Signed lower right: Gordon Grant. Excellent condition, framed.

Jack J. Greitzer (American, Ohio 1910-1989) - Flowers, 1932. Watercolor on paper, 20 x 14.50 inches (sight size). Signed and dated lower right: J.J. Greitzer, 1932. Excellent condition, framed and matted.

Tony Grubhofer (Austrian 1855-1935) - European Castle. Pencil on paper, 7.25 x 7 inches. Signed lower right: ? Tony Grubhofer and inscribed: Xll ???. Fine condition, framed. Price: $375.00

John Haberle (American 1856-1933) - From Kitchen Window to the Corner of Lighthouse Road and Morris Avenue, New Haven, Feb. 4, 1931. Pencil on paper, 5.75 x 4 inches. inscribed across the bottom, by Haberle and inscribed: For Cuba. Original condition, matted, unframed. A note from Vera Haberle Derumer, the artist's daughter verifies that the drawing was done by her father.

Charles Emil Heil (American 1870-1950) - Blue Jay, n.d. Watercolor on paper, 8.50 x 11.50 inches. Signed upper right: Charles E. Heil. Excellent condition, unframed. A crisp, beautifully executed watercolor by the artist.

John Henry Hill (American 1839-1922) - Nature Morte: Eastern Bluebird (Sialia Sialis), 1866. Watercolor on paper, 4 1/8 x 9 1/8 inches. Signed lower right: J.H. Hill. Excellent condition, framed.

John Henry Hill (American 1839-1922) - A River Landscape, circa 1859. Pen and ink on paper, 3 x 4 inches (sight size). Signed lower right: J.H. Hill. Excellent condition, unframed.

John Henry Hill (American 1839-1922) - Chestnut Tree and Lily Pads, 1864. Pen and ink on paper, 8 x 7.25 inches. Signed lower right: J. Henry Hill, 1864. Excellent condition, framed. The present work is the original pen and ink drawing executed in preparation for a wood engraving of the same subject. The Brooklyn Museum of Art owns a pencil drawing on wood of the same scene which appears in a 1969 catalogue titled: Drawing of the Hudson River School, catalogue number 73, page 88 and page 120.

Charles Hopkinson (American 1869-1962 - Outriggers, Honolulu, 1950's. Watercolor on paper, 14 x 22 inches (sight size showing), Signed lower right: Hopkinson, and inscribed: Honolulu. Excellent condition, framed. Provenance: Vose Galleries, Boston.

Lester Hornby (American 1882-1956) -Lanesville, Winter, 1937. Pencil on buff colored paper. 10.50 x 13.25 inches. Signed, dated and inscribed lower right: L.G. Hornby, '37, Lanesville. Excellent original condition, unframed.

Lester G. Hornby (American 1882-1956) - Fishing Village, Trinidad, Oil on paper, 9.75 x 13 inches. Signed lower right: L.G.H. Original estate condition, unframed. A nice, early example by the artist with rich impasto and nice light.

Donald Morris Kirkpatrick (American 1887-1966) - Figures on the Beach, Barbados. Watercolor on paper, mtd. on board, 13 x 17.50 inches (image size). Signed lower right: D.M. Kirkpatrick. Excellent original condition, titled on the verso in the artist's hand. Provenance: Descended in the family of the artist. One of many works by the artist in stock, including, oils, watercolors, drawings and etchings.

Alexander Lawrie (American 1828-1917) - Watering Ivy, (Home Sketch), Circa 1864. Watercolor on paper, 7.75 x 5.75 inches. Signed lower left: A. Lawrie Del. Excellent condition.

Alois Lunzer (Australian/American 1840-1921) - Pansies in a Classical Vase, Ca. 1870's. Watercolor on paper, 22 x 30 inches. Signed lower right: A. Lunzer. Excellent condition, framed in the original moulding.

Jervis McEntee (American 1828-1891) - Lake George, Sept., 1863. Pencil on paper, 7.50 x 9 5/8 inches. Inscribed lower left: Lake George/Sept. - 63. Excellent condition, framed. On August 28th, 1863, Sanford Robinson Gifford wrote from Saratoga Springs, N.Y. to Jervis McEntee at his home in Rondout inviting him to go on a sketching expedition, along with Richard William Hubbard and Worthington Whittredge. In September, 1863 the group traveled to Lake George, Lake Champlain, Lake Placid and Mount Whiteface. This rare drawing of Lake George by McEntee might be the only known pencil drawing by McEntee from the trip to Lake George.

Jervis McEntee (American 1828-1891) - Rock Study, Catskills, 1857. Pencil on paper, 12 x 17.50 inches. Inscribed lower left: Aug. 1857. Excellent original condition, framed. In 1857, McEntee took a studio in New York City, at the Tenth Street Studio building, alongside his friends Sanford Robinson Gifford and John Frederick Kensett. The present drawing was likely executed near Rondout, New York.

William McKenna (American 1871-1943) - General Philip Schuyler near Schuylerville, New York, 1912. Watercolor on paper, 16.50 x 11 inches, plus large margin. Signed lower right, in pencil: WILLIAM/McKENNA/1912. Pristine condition, unframed. Also comes with a period reproduction of the same image that it was painted for.

William Rickarby Miller (American 1818-1893) - Boating Party, Black Mountain, Lake George. Watercolor on paper, 7 x 10 inches. Signed and dated lower left: W.R. Miller, . Excellent condition, framed.

William Rickarby Miller (American 1817-1884) - On the Erie Canal, Little Falls, N.Y., July, 10, 1852. Watercolor, pencil and gouache on paper, 14 x 20 inches. Signed lower left: W.R. Miller, del./ July ,1852. Inscribed lower right: On the Erie Canal, Little Falls, N.Y. Good condition, framed.

William Rickarby Miller (American 1817-1884) - Deer in the Adirondack Woods, 1882. Watercolor on paper, 18 x 14 inches. Signed lower left: W.R. Miller, and dated 1882. Fine condition, framed.

Walter Paris (English/American 1842-1906) - Summer Evening, Ipswich, Mass., 1898. Watercolor on paper, 7 x 10 inches. Signed lower left: W. Paris, 1898. Titled verso in the artist's hand. Excellent condition, framed.

Granville Perkins (American 1830-1895) - A Florida Swamp, 1870 (possibly Key West). Watercolor on paper, 14 x 24 inches. Signed lower right: Granville Perkins, 1870. Excellent condition, framed. Sorry, I've been sold.

Jane Brewster Reid (American 1862-1966) - Nantucket House and Garden, n.d. Watercolor on paper, 11 x 10 inches. Signed lower left: J.B. Reid. Excellent condition, framed. Price: $1,450.00.

Christian Schussele (American 1824-1879)- Tales of the Sea, 1857. Watercolor on paper, 14 x 20 inches. Signed and dated lower right: C. Schussele, 1857. Excellent condition. Unframed.

George Henry Smillie (American 1840-1921) - The Adirondack Mountains and Boquet River, Elizabethtown, New York 1868. Watercolor on paper, mtd. on board, 7.75 x 14.75 inches. Signed lower left: Geo. H. Smillie, Sep. 1868/Elizabethtown. Original condition, unframed. A masterwork on paper by Smillie, from the artist's finest period.

George Henry Smillie (American 1840-1921) - A Country Lane, Ca. 1880's. Watercolor on paper, 14 x 21 inches. Signed lower left: Geo. H. Smillie, N.Y. Excellent condition, period gilded oak frame.

James David Smillie (American 1833-1909) - Hundred Islands, Lake George, N.Y., circa 1874. Watercolor on paper, 11 x 7 inches (sight size). Signed lower left: J.D. Smillie. Signed, titled and inscribed verso, in the artist's hand, on the original backing board. Excellent condition, framed in the original moulding. Provenance: Private collection, Maryland.

Charles Volkmar (American 1841-1914) - Rainbow Trout, (Probably Edison), New Jersey. Oil on heavy paper, 12 x 18 inches (image size). Signed lower right: Chas. Volkmar. Pristine condition. Charles Volkmar was a painter and an etcher as well as an important craftsman whose family's involvement in the development of the ceramics industry in northeastern America played an important role in the Aesthetic movement. Charles, born in Baltimore worked most of his adult life in New Jersey. His brothers Carl and Leon, as well as his father Charles Volkmar, Sr., were all involved in artistic pursuits, and it was obviously that young Charles would follow in the same tradition. Charles would travel to Europe at the beginning of the Civil War, joining countless other young American artists in Paris, studying landscape painting under Henri Harpignies, as well as the work of Jean-Francois Millet and Charles Emile Jacque. His work included landscape painting as well as painting pottery and tiles in France, after which he returned to the United States and went into the ceramics business. Volkmar Pottery and the tiles and ceramics they produced. It is believed Charles may have also been involved in the stained-glass industry for a period as well. Rainbow Trout, Edison, New Jersey is a masterpiece by Volkmar painted in the Aesthetic tradition. The influence of Japanese painting is clearly evident in both subject and composition. A group of four rainbow trout have come to the surface of the transparent water as the fish on the far right appears to have found an insect which has captured the attention of the other three. Volkmar had often painted ducks by a lake in Edison, but this work depicting fish is quite possibly unique.

Charles Volkmar (American 1841-1914) - Silver and Gold Fish, Edison Pond, Menlo Park, New Jersey, Ca. 1885-95. Pen and Ink on Illustration board, with gouache highlights. 21 x 16.25 inches (overall size); 17 z 12 inches (image size). Signed lower left: Chas. Volkmar. Excellent condition, Unframed. Inscribed verso: Gold and Silver Fish in the Edison Pond, Menlo Park, N.J. The Edison Pond is located on the top of a hill from which the Orange Mountains can be seen in the distance. It has become so neglected during the last eight years, that its borders are all broken up with small shrubs and covered with tall grasses and weeds. The surface of the pond is covered with the bold and characteristic leaf and blossom of the cow or yellow lilly (sic), the leaf of which only assuming its angular character after growing above the surface of the water. It is as picturesque and decorative a spot as could well be imagined, and on a sunny day in April the gold fish with which Mr. Thomas A. Edison stocked the pond, can be seen in large numbers sunning themselves near the top of the water.

William John Whittemore (American 1860-1955) - View of St. Malo, France, ca. 1888/89. Watercolor on paper, 11.50 x 13 inches. Signed lower right: Wm. J. Whittemore, St. Malo. Original condition, framed.

William H. Willcox (Am./Phila. 1831-1929) - An Artist Walking Beside the Wissahickon in October, 1898. Watercolor on paper, 20 x 16.50 inches. Signed and dated lower left: W.H. Willcox, 1895. Excellent original condition, framed. Provenance: Descended in a private collection, Upstate New York.